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The Secret History of Wonder Woman, by Jill Lepore

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Wonder Woman, created in 1941, on the brink of World War II,�is the most popular female superhero of all time. Aside from Superman and Batman, she has lasted the longest and commanded the most vast and wildly passionate following. Like every other superhero, Wonder Woman has a secret identity. Unlike others, she also has a secret history.�
In Jill Lepore’s riveting work of historical detection, Wonder Woman’s story provides the missing link in the history of the struggle for women’s rights—a chain of events that begins with the women’s suffrage campaigns of the early 1900s and ends with the troubled place of feminism a century later.�
This edition includes a new afterword with fresh revelations based on never before seen letters and photographs from the Marston family’s papers.
With 161 illustrations and 16 pages in full color
- Sales Rank: #16745 in Books
- Brand: Lepore, Jill
- Published on: 2015-07-07
- Released on: 2015-07-07
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .97" w x 5.19" l, .0 pounds
- Binding: Paperback
- 464 pages
Most helpful customer reviews
137 of 150 people found the following review helpful.
Prepare to be surprised, amazed, and alarmed by the people who created and shaped this comic icon.
By Peter J. Ward
Here is the internal dialog I had going at one point while reading this book.
Me: "So the inventor of Wonder Woman was a psychology PhD who also invented the first lie detector."
Also me: "Neat."
Me: "Get this, he was also a pretty hardcore first-wave feminist and based a lot of Wonder Woman's stories and characteristics on Margaret Sanger, the birth-control pioneer."
Also me: "That's pretty cool."
Me: "He also lived with three women, had children with two of them, and balanced this unusual lifestyle fairly gracefully in way that his wife, Halloway, could fulfill her ambition to maintain a full-time job, while his mistress, Olive Bynre, could do what she wanted and raise the kids, while the third woman, Hurston, could come and go as she pleased. I should mention that Byrne wore thick silver bracelets, while Hurston and he were really into bondage."
Also me: "That's pretty crazy, I mean especially for the early twentieth century..."
Me: "You're still not getting it: kick-ass first-wave feminist sensibilities, thick silver bracelets, bondage, and making people tell the truth."
Also me: "Oh God, that's Wonder Woman's whole gig, truth-telling lasso and all. Wow."
So if after that little exchange you find yourself intrigued instead of bored, check this book out. It really is more of a biography of William Moulton Marston (WW's creator) than of the character, but it really is pretty interesting and naturally puts Wonder Woman's development into a more complete context. And the detailed research that went into digging this story out of DECADES of deliberate obfuscation is simply amazing. The author, Jill Lepore, deserves a round of applause for finding this amazing story and bringing it to the public in such an engaging way. This book integrates the history of feminism, comic books, psychology, social shifts in both sexuality and gender, and in the process gives us a nuanced look at some truly interesting people.
Martson was a competent but spotlight-loving academic who couldn't resist sabotaging his own successes (in that way he is similar to his predecessor, The wizard from Vienna: Franz Anton Mesmer). Halloway, the wife and rock of the relationship(s) who wanted to give life her best as a working woman but still be able to raise a family. Byrne, the (seduced) graduate student who worked on much of WMM's projects anonymously and raised the Marston family to compensate for her own lonely childhood. And there are many others.
Suffice to say - this is an engaging read for anyone interested in the history of feminism, comics, and (naturally) Wonder Woman herself.
69 of 77 people found the following review helpful.
Mostly a Marston Biography
By Buffy
This is a scholarly look at the history and origins of the Wonder Woman character created by William Moulton Marston. The book goes quite a bit into Marston's background and the social conditions of the times. I would say that up to page 185 the book is essentially a biography of Marston and his family. There are not that many illustrations and most are black & white snapshots from the Marston family album.
For me to the book gets interesting on page 186 (in 1940) when Marston suggests to DC Comics that they need a female Superman character and in February 1941 he submits the first installment of "Suprema, the Wonder Woman" which was shortly changed to just "Wonder Woman." Pages 190 to 298 cover the history of Wonder Woman roughly to the mid 1970s and updates us along the way about the Marston family.
Pages 299 to 392 are mostly footnotes. Yes, a lot of footnotes.
The most entertaining parts of the book are when they talk directly about the Wonder Woman character and influences or back story that you might not know. There's too much biographical information about Marston and related family members. For comic art fans this is definitely not an art book. There are not that many comic book illustrations and it feels mostly like a text book. There are nuggets here and there that I liked and for that I give it four stars. But this is not really the "Secret History of Wonder Woman" as I would have expected--that's only about 108 pages of the total book. Still if you love this character it's worth reading. For casual fans this is not recommended.
47 of 52 people found the following review helpful.
The Most Unique Character In Comic Book History - And Wonder Woman
By Dirk Drudgler
With "The Secret History of Wonder Woman" Jill Lepore has greatly strengthened the oft ignored legacy of comic books as an important agent of cultural change in the 20th century. Since their inception in the early 1930's as collections of comic strips through the billion dollar mega-films of today, comic books have been beloved and loathed like no other media.
At their peak in the 1940s a comic book might have sold 2 million or more copies. Each single comic was estimated to be read by as many as 6 people. At any one time there were thought to be 100,000,000 comic being read. These were numbers delightful to publishers and fans but terrifying to educators, politicians, scientists and parents. The concern from the "authorities" is somewhat justified. Kids were devouring comics and with the astronomic readership numbers it was hard to imagine how generations of young minds were being shaped by the illustrated insanity in their pages.
William Moulton Marston was a man made for this exploding cacophony of four color madness. His creation of Wonder Woman became the perfect storm for so many cultural, scientific and political upheavals that a reasonable argument can be made had the Amazonian Princess never been born America would be a different place.
Marston dumped his bohemian and erratic life experience as a scientist (the creator of the lie detector), a psychologist, a bigamist (sort of), a fetishist and an ardent feminist into the development of Wonder Woman with the clear intention of influencing the direction of popular culture. Lepore's excellently researched and fully supported premise is he succeeded in doing just that.
Lepore draws parallels between the development of the politics of feminism beginning with the suffragette movements of the late 19th century, the life of Charles Marston and the development and explosive popularity of comic books. With great skill and wonderful prose she brings these three distinct tracks of history together to culminate in the arrival of the Amazon Princess to the world of man. Wonder Woman came to America at the beginning of World War II and quickly soared in popularity, rivaling that of comic superstars Superman and Batman. The difference between them was Diana Prince, Wonder Woman's secret identity, was a free thinker and an agent for social change.
Marston imbued his character with a power and sexuality based not only on her strength but also on her vulnerabilities. That Marston and DC got away with as much as they did is remarkable considering the times. With a historian's eye on cultural context Lepore demonstrates how truly radical Marston's Wonder Woman comics really were. To her credit, Lepore very fairly provides a voice to those who, with some cause, found Wonder Woman objectionable and dangerous.
The most amazing thing about the book is the incredible research Lepore has poured into it. It is well known now that Marston had both a wife and a live in mistress with his children from both all living peacefully in the same household, but that is about the extent of the public's knowledge. In fact the reality is much more complicated and the personalities in this family are so intensely entwined as to have made them interdependent on each other for their entire lives.
The fact Wonder Woman exists at all is tied up (ha!) in the relationships between each individual in the family. The dynamic in this strange household is remarkable but many of the details have remained closely guarded family secrets until recently. Lepore's masterful mining of data is to be commended and stands as an example of thoughtful and responsible journalism. Lepore must also be commended for her even handed treatment of divisive issues like feminism, fetishism and pop psychology. Her book does not force an agenda. It is a rare example of a historian being a historian for the sake of recording history.
The Marston era is unique and remarkable not only in the history of Wonder Woman but in the history of comic books and indeed in the history of all western popular culture. Wonder Woman comics today sell around 60,000 copies (compared to well over one million in the 40s). When Marston died in 1947 and the character was turned over to more compliant writers Wonder Woman began a rapid metamorphosis leading to a more saccharine vision of domesticity and conformity. Today she is a warrior princess and in every way an equal to Superman. As of this writing they are lovers (Batman is wisely concerned about this). Its hard to imagine what Marston would have thought of that.
On a personal note, I have been a big fan of Wonder Woman for much of my life. Back in the early 70s I started buying Wonder Woman comics and have quite an extensive collection. Of course the earlier Golden Age books (40s & 50s) are out of my price range but DC Comics has produced Wonder Woman Archive editions containing nearly all of Marston's work. I went back and reread some of the stories in these books and was absolutely stunned at how much more complex and fascinating the stories were given an understanding of the background and intentions of the creator. Some of these volumes are out of print, but many can still be found at very reasonable prices. I heartily recommend going back and reading some of this material for yourself. At the end of the book along with extensive footnotes (which contain some fun, meaty facts not in the regular text) there is an excellent index of stories written by Marston and the issues in which they appeared. I am very grateful to Jill Lepore for writing this book and giving me the opportunity to enjoy these great comic books more than ever.
I am also grateful to Jill Lepore for her contribution to recognizing the immensity of the sociological impact comic books have had on western culture over the last 80+ years. If you are interested in pursuing this further, another recent example of this kind of comic book scholarship which I very much enjoyed is Super Boys: The Amazing Adventures of Jerry Siegel and Joe Shuster--the Creators of Superman.
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